Domenico Carlo Maria Dragonetti (7 April – 16 April ) was an Italian double bass One of his concertos was particularly remarked by the queen of Naples. When in Vicenza for an engagement at the Grand Opera there, he acquired. Dragonetti Concerto for Double Bass and Piano. edited by David Walter. In this high-quality publication, esteemed bassist and pedagogue David Walter offers a . of one of the most popular double bass works Son, Ltd., Liben has been able to produce a totally new edition of this staple of the double bass repertoire.

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Double Bass Concerto in G major, Op.1 (Dragonetti, Domenico)

They even granted him a leave for a year, with a continuation in his wages, to go to the King’s Theatre in London. He made a first attempt inwhich was lost to Antonio Spinelli.

He never did learn to speak English, expressing himself in a mixture of Italian, English, French and Venetian dialect, but was an astute businessman, and in fact, helped his surviving family in Venice financially. He was acquainted with composers Joseph Haydn and Ludwig van Beethovenwhom he visited on several occasions in Viennaand to whom he showed the possibilities of the double bass as a solo instrument.

Category:Dragonetti, Domenico

Another trip was therefore scheduled in This was not at all standard in these times, as most players used to play – in one position – one note with the index finger, and one with the other three fingers in combination. He became very famous at the time, started playing solo pieces, which was exceptional at the time for the double bass, and even got elected as of the directors of a musical festival held for the coming of fourteen sovereign princes to the republic of Venice.

On that second trip he became friends with composer Simon Sechterwho would become the court organist inand professor of composition at the Vienna Conservatorium in Dragonetti was not more remarkable for his astounding execution than for the deep, genuine musical feeling which elevated and ennobled it.


Beethoven played his part, with his eyes immovably fixed upon his companion, and, in the finale, where the arpeggios occur, was so delighted and excited that at the close he sprang up and threw his arms around both player and instrument”. In the Palmer biography, a footnote refers to a account by C. As remuneration for renouncing the offers and remaining as principal bassist with the orchestra of the Ducal Chapel of St Mark’s in Venice an orchestra of considerable importancea decree made in gave Dragonetti a financial gratuity.

They made a specialty at playing Arcangelo Corelli ‘s sonatas. He took part between andin forty-six concerts held by the Philharmonic Society of London. He soon became the principal bassist. The authoritative source for information on him is the book of Dr.

He was soon noticed by Doretti, a violinist and composer of ball music, who drabonetti him along for public performance in Venice. He finally joined the institution on 13 September as the last of the five double bass players of the Chapel with a yearly income of 25 ducats.

He had huge hands with strong, broad fingers, which allowed him to play with a taller bridge and strings twice as far from the fingerboard eragonetti the other bassists. The physical quality is his huge hand: By using this site, you agree to the Terms of Use and Privacy Policy. By that time he had become notable throughout Europe and had turned down several opportunities, including cncerto from the Tsar of Russia. Beethoven and he soon met and they were mutually pleased with each other.

He wrote piano accompaniments to some of his concert pieces, and they maintained a lifelong correspondence. At the age of 82, Dragonetti visited Bonn in Conncerto to participate in the 3-day music festival held as part of the inauguration of the Beethoven Monument there. Fiona Palmer, Domenico Dragonetti in England — pub.


Domenico Dragonetti – Concerto for Double Bass – Music Sales Classical

Domenico Carlo Maria Dragonetti 7 April — 16 April was an Italian double bass virtuoso and composer with a 3 string double bass.

From Wikipedia, the free encyclopedia. He began playing the guitar and the double bass by himself on his father’s instruments. The unlucky contrabassists dragonteti orchestras had frequent occasions during the next few years to know that this new revelation of the powers and possibilities of their instrument to Beethoven was not forgotten.

The premiere of this work, as well as of Beethoven’s seventh symphony was performed on 8 December in the University’s Festsaal, with Dragonetti leading the double basses. The visit was a huge success and generated some of his best known work.

Views Read Edit View history. Because of Dragonetti’s unprecedented virtuosity as a soloist, attractive offers of work were made from both London and Moscow.

InJoseph Haydn accepted a lucrative offer from German impresario Johann Peter Salomon to visit England and conduct new symphonies with large orchestras. Berenzi, who suggests that the instrument may have been made for the monks of St Peter’s, Vicenza, by Gasparo da Salo, and acquired by the procurators of St Mark’s draognetti entice Dragonetti to remain in their employ. This page was last edited on 8 Augustat Today, many of his letters, personal papers, compositions, solos and manuscripts are to be found in the British Library.

Composerdouble bassistpedagogue. Retrieved from ” https: Liben Publishers,piano score p. Dragonetti came back to Vienna for an extensive stay in Dragonetti was a lover of the fine arts, and a collector of musical instruments as well as many art-related articles, such as original scores and paintings.